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“... On 27 October 1954 the Queen and the Duke of Edinburgh visited the University of Sheffield in order to inaugurate its Jubilee Session. No other reigning sovereign had visited the principal university buildings since King Edward VII opened them in 1905. Six months before the Queen’s visit, the Vice-Chancellor, Professor J.M. Whittaker, put to his recently-appointed Professor of English Literature a ‘general idea’ – to celebrate the Queen’s visit by reviving the masques with which Elizabeth I was greeted at Cambridge in 1564 and at Oxford in 1566 and 1592 ...”

“... A relief, then, to turn from all this deranged big-talk to some sturdy English self-effacement. John Haffenden is steadily becoming the closest we have to a domestic version of the Mansos and Grobels. He has already published a book of earnest conversations with a dozen or so poets and this month he gives it a companion: Novelists in Interview.2 ...”

“... these 16 years, and although his voice was often recorded it now seems difficult to describe it. John Haffenden says he had one voice for poetry and another for prose. Empson himself thought ‘the reader should throw himself into the verse, and not do it with “reserved” English good taste.’ The best idea was to ham it ‘like a provincial ...”

“... When John Berryman’s first full-length collection of poems, The Dispossessed, was published in 1948, Yvor Winters wrote a notice of it for the Hudson Review. Here Winters drew attention to Berryman’s ‘disinclination to understand and discipline his emotions’, and went on to suggest: ‘Most of his poems appear to deal with a single all-inclusive topic: the desperate chaos, social, religious, philosophical and psychological, of modern life, and the corresponding chaos and desperation of John Berryman ...”

“... John Haffenden opens the proceedings with a long extract from one of Empson’s letters and goes on to provide a leisurely commentary on it, so, even if you hadn’t noticed the bulk of the book, you’d sense right away that you were in for the long haul. At the end of this first instalment the poet is still only 33 years old and has another 44 years to go; no doubt they will be less action-packed, more sedate – containable, one hopes, in only one more volume ...”

“... In one of John Berryman’s more lucid dream songs (No. 364), there is amusing reference to the reading habits of Henry, the song sequence’s screwed up protagonist: O Henry in his youth read many things he gutted the Columbia – the Cambridge libraries – Widener – Princeton – the British Museum – the Library of Congress but mostly he bought books to have as his own cunningly, like extra wings ...”

“... to put over a position with no time, at the time, to think. One does not know to what extent Haffenden has edited out the false starts and inelegances of ordinary speech to produce this published text of his interviews (different texts of several of which have appeared previously), but certainly a sense of accustomedness to answering questions is felt to ...”

“... of that year, Louis MacNeice, Stephen Spender, Geoffrey Grigson, Michael Roberts, Bonamy Dobrée, John Hayward and Graham Greene had nominated Auden as the new voice. The six odes and the epilogue of The Orators, Greene said, justified Auden’s ‘being named in the same breath as Lawrence’.But Greene had some misgivings. ‘The subject of the book,’ he ...”

“... the BBC, first in the Monitoring Service, later in the Chinese section of the Overseas Service. Haffenden’s huge second volume begins there, and it is clear at once that his industry and love of Empson and Empsoniana have not diminished. He gives an interestingly detailed account of the BBC at war. Like many of his colleagues, Empson was a drinker, a ...”

“... Indeed, the thing Empson seems to have been most at odds with himself about was conflict. So when John Wain praises Empson’s poetry in his book Professing Poetry, Empson replies: ‘I feel it is very discerning praise, so it is at least sympathetic; and the best I can do by way of thanks is to say where I think it is wrong.’ Empson believed that ...”

“... his poems, though, that while in the East he chased up images of Buddha with what his biographer John Haffenden calls ‘a learned amateur interest amounting to an obsession’. The offhand phrase about Marvell is a bit of English disguise: camouflaged passion rather than easy generality. Empson taught literature in Japan from 1931 to 1934, and in China ...”

“... in the subject itself. A poet’s earliest efforts are usually marred by self-consciousness and John Berryman’s are no exception to the rule. For most poets, however, finding a distinct and convincing voice is, at least in part, a process of shedding unwanted affectations and exaggerated self-importance. For Berryman the process was reversed. He learnt to ...”

“... Spirits’. Empson’s fullest exploration of this subject remained unfinished. The editor, John Haffenden, has stitched together the various drafts that he left behind and has given the somewhat unwieldy result the title ‘The Spirits of the Dream’. In A Midsummer Night’s Dream, Puck meets a fairy in the Athenian wood and asks her where she ...”

“... them. Amis’s most obvious assets as a writer are his ear (‘When you’re writing,’ he told John Haffenden, in an exchange published in Novelists in Interview, ‘you run it through your mind until your tuning-fork is still’) and his energy. In the quoted paragraph, both are as they always were; the lines are also characteristic in the ...”

“... of an eccentric view of Donne. To understand that view, here documented in full and supported by John Haffenden’s conscientious and adulatory commentary, one point at least is essential. Empson found it all but impossible to believe that any intelligent and honest person could be a Christian. A lot of his work is devoted to showing that even writers ...”